The mistakes made by Congress wouldn't be so bad if the next Congress didn't keep trying to correct them.

Thursday, July 20, 2006

higamus hogamus hatlemus

(if you don't understand the reference in the title, read this link first, then come back.)

Last night I dreamed up a bit of doggerel.

Picture a Busby Berkeley-produced black-and-white filmed sketch comedy show (like a Saturday Night Live, except that it's funny). The star of the show is a blond flapper girl, who I'll call Nadine. She's fresh out of journalism school, and ready to make her mark in the big city. Picture a 22-yr-old Vivian Vance with a dash of Lily Tomlin's Ernestine attitude. She's performing the news in a sort of Operaman role, only hunt-and-pecking behind an old round-buttoned manual typewriter.

As the film begins, the orchestra is playing Nadine's theme song, a lively staccato cha-cha-cha piece. Nadine hits a key for every note and the orchestra plays a bell every time the typewriter is returned. The song plays for a few measures waiting for the applause to end. After the crowd quiets down, without breaking rhythm or looking up from the keys, Nadine starts reading/singing the news items. Each item is a rhyming couplet, with each line ending with the cha-cha-cha ...ding! rhythm.

The first news item is apparently about a playwright who made a spectacular comeback from a notoriously dismal failure:
"Francis Foley is forgiven for that other flop. (...ding!)
He wrote a great new play and it came out on top. (...ding!)"
And the crowd thought it was hilarious...

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